centuriespast:

BERENTZ, ChristianFlowers, Fruit with a Woman Picking Grapes1689Oil on canvasMuseo Nazionale di Capodimonte, Naples

centuriespast:

BERENTZ, Christian
Flowers, Fruit with a Woman Picking Grapes
1689
Oil on canvas
Museo Nazionale di Capodimonte, Naples

nycartscene:

Fall 2014 Editor’s Pick
Opens today, Sept 4, 1-6p:

Made for Whites by Whites” and “Rescue
 Nick Cave
 
Jack Shainman Gallery, 513 W20th St., NYC
Jack Shainman Gallery, 524 W24th St., NYC

On view at 524 West 24th Street will be Cave’s body of work Rescue. The series comprises sculptures that incorporate found ceramic dogs sitting on furniture within elaborate grottos or dreamlike dens. Dogs have historically been associated with loyalty, class, breed, commitment, and protection. In the Rescues, Cave focuses on a single canine that has quite literally been rescued from destruction, very much like an adopted pet. These dogs become the benevolent guardians of their self-contained worlds, focusing the spotlight on the forgotten and discarded. Many of the works included in Made for Whites by Whites, on view at 513 West 20th Street, have formal similarities to the Rescues in that central found objects are presented within elaborate armatures built up with items from Cave’s familiar lexicon of ceramic birds and flowers, porcelain fruit, and copies of Capodimonte. However, the content is quite different. In Made for Whites by Whites, racially charged historical objects anchor the works such as the stereotypical representation of a black man with dark skin, big red lips, and white eyes in Untitled, 2014, or the Golliwog costumed mannequin in King of the Hill, 2014. These were once commonplace caricatures that infantilized and dehumanized the African American population. This project began when Cave found a container at a flea market shaped like the head of a black man and labeled ‘Spittoon.’ - thru Oct 11

feminhistory:

Oil on canvas, previously attributed to Johann Zoffany, 1779;

Dido Elizabeth Belle is depicted here with her cousin Elizabeth Murray. This painting scandalised many of it’s 18th century audience due to its portrayal of Belle, a woman of colour, in a non-subservient position. Considered to be one of the first paintings to do so, it was probably commissioned by Belle’s father Admiral Sir John Lindsay in the late 1770’s. 

feminhistory:

Oil on canvas, previously attributed to Johann Zoffany, 1779;

Dido Elizabeth Belle is depicted here with her cousin Elizabeth Murray. This painting scandalised many of it’s 18th century audience due to its portrayal of Belle, a woman of colour, in a non-subservient position. Considered to be one of the first paintings to do so, it was probably commissioned by Belle’s father Admiral Sir John Lindsay in the late 1770’s. 

centuriespast:

PULZONE, ScipioneLamentation1591Oil on canvas, 290 x 127 cmMetropolitan Museum of Art, New York

centuriespast:

PULZONE, Scipione
Lamentation
1591
Oil on canvas, 290 x 127 cm
Metropolitan Museum of Art, New York